The American portrait and figure artist Mary Cassatt (1844–1926) is best known for imagery drawn from the private sphere of women—sedate moments in the daily lives of privileged individuals as they read, take tea, attend the opera, or care for their young children. But she was also one of the most inventive practitioners of Impressionism in many media, and not least in pastel, a newly popular medium in the late nineteenth century. In Mother and Child (1914), currently on view at The Met in gallery 769, we can see that her goal was not only to render a particular type of subject matter, but also to experiment with avant-garde techniques.
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